Aoluguya
Aoluguya
- Gu Tao - 2007 - Color - 89min.
In the Greater
Xing' an Mountain of northern China, there is a group of people who share
their lives with the reindeer. The Ewenki people came from Siberia over
three hundred years ago and have been living in the dense primeval forest
and surviving on herding reindeer ever since.
In 2003,
the Reindeer Ewenki came out of the forest and moved to a new settlement
built by the government. Now with hunting also banned, the Reindeer Ewenki
find themselves in a dilemma: they can either stay or return to the forest.
Reindeer cannot survive in the city, and a small number of the tribe people
move back into the mountains again, back into their forest.
Sunk
in drunkenness they try to resist, not in the political way, they are
completely aware of the size of China, but in the personal way, to a kind
of modernization that will end with their ancestral way of life.
They know
that the game is scarcer everyday and maybe even know that their culture
is doomed. So they only insult every representative of the Chinese state
they met and try to mock the law that will end with their traditional
way of life, as their only reaction to a the last and definite crisis.
Liuxia is
a widow who seeks solace at the bottom of a bottle. Besides the reindeer
and her son who lives far away, she has nothing left in this world. Her
younger brother, Vijia, is an alcoholic artist who is increasingly disorientated
about life. He Xie expresses the sadness in his heart through his harmonica.
Their last
stand in the natural camps in Xianganshan mountains provide a glimpse
to the last stages of a culture incompatible with modern world. They keep
their relation to the reindeers that now provide some income with its
antlers. And they drink, drink and drink.
The story
is told as the seasons goes by during more than two years. Every personage
is a box of sorrows that only occasionally is permitted to burst.
Director
Explanation
In my understanding,
documentaries need life experience. When I begin to film, I feel like
I am spying, but after a while it starts to feel like my own life. Everyone
has their own personality, and they express themselves in very different
ways, such as in their attitudes towards love and towards life. The Ewenki
follow the Eastern Orthodox Church, and they let me right into their group.
Suddenly I had found a means of expression. My early confusion, sadness
and aimless suffering disappeared as soon as I entered Aoluguya. It wasn't
that I was interested in making this movie, it just naturally came about
through the passing of the seasons and the years.
In making documentary films, one can work on a single topic for a lifetime
and never finish. But life is more important. If you are breathing, then
you are living.
Yunnan
Multi Culture Visual Festival
|